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Why Are Thin People Not Fat?
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YEAR: 2009 | LENGTH: 1 part (60 minutes) | SOURCE: BBC
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The world is affected by an obesity epidemic, but why is it that not everyone is succumbing? Medical science has been obsessed with this subject and is coming up with some unexpected answers. As it turns out, it is not all about exercise and diet.
At the center of this programme is a controversial overeating experiment that aims to identify exactly what it is about some people that makes it hard for them to bulk up.
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#culture #health #medicine #society
Trust Me I’m a Doctor
Favorite trailer magnet YEAR: 2013-2019 | LENGTH: 9 seasons, 36 episodes (~30 minutes each) | SOURCE: BBC description: Going behind …VideoNeat
Everything is a Remix
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YEAR: 2011 | LENGTH: 1 part (43 minutes) | SOURCE: WEBSITE
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Remixing is a folk art but the techniques are the same ones used at any level of creation: copy, transform, and combine. You could even say that everything is a remix.
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#copyright #culture #society
Everything is a Remix
Watch the legendary series that reveals how creativity happens. Raise your creative game with tools, techniques and inspiration.Loop Media
Is Alcohol worse than Ecstasy?
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YEAR: 2008 | LENGTH: 1 part (50 minutes) | SOURCE: BBC
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Recent research has analysed the link between the harmful effects of drugs relative to their current classification by law with some startling conclusions. Perhaps most startling of all is that alcohol, solvents and tobacco (all unclassified drugs) are rated more dangerous than ecstasy, 4-MTA and LSD (all class A drugs). If the current ABC system is retained, alcohol would be rated a class A drug and tobacco class B.
The scientists involved, including members of the government’s top advisory committee on drug classification, have produced a rigorous assessment of the social and individual harm caused by 20 of the UK’s most dangerous drugs and believe this should form the basis of future ranking. They think the current ABC system is arbitrary and not based on any scientific evidence.
The drug policies have remained unchanged over the last 40 years so should they be reformed in the light of new research?
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#culture #health #society #weed
BBC - Horizon - Is alcohol worse than ecstasy?
Details about this Horizon programme, broadcast in 2008www.bbc.co.uk
Drinking Yourself to Death
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YEAR: 2007 | LENGTH: 1 part (46 minutes) | SOURCE: CHANNEL4
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Britain is a nation under the influence. The Government has just announced that over seven million people are risking their health by drinking too much and revealed their strategy for tackling the “English drinking culture”. This documentary examines how successful this approach will be, investigating the new drinking patterns in the UK, which involve far more alcohol being drunk at home, and the recent lobbying activities of the alcohol industry.
Reporter Deborah Davies investigates the switch in alcohol consumption from pubs to homes, examining the pricing of alcohol in supermarkets versus pubs, the huge increase in wine purchases and the emergence of pre-loading: drinking at home before heading out for an evening.
Dispatches investigates the medical profession’s warnings of a liver disease time bomb by organising a unique experiment, using cutting-edge technology not yet available on the NHS to test the health of people’s livers in London and Birmingham. In all, 70 passers-by take up the opportunity to have the test, with shocking results that suggest the incidence of liver disease is even higher than doctors had feared
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#culture #health #monetarySystem #society
"Dispatches" Drinking Yourself to Death (TV Episode 2007) ⭐ 5.8 | Documentary, News
Drinking Yourself to Death: Directed by Charlie Hawes. With Deborah Davies, Peter Anderson, Jeremy Beadles, Peter Bottomley.IMDb
The Perfect Vagina
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YEAR: 2008 | LENGTH: 1 part (50 minutes) | SOURCE: DOCUWIKI
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What began as a wander through the wacky world of genital plastic surgery became a passionate documentary about modern femininity.
It’s the ultimate sales pitch – complete bullshit’ … Lisa Rogers, presenter of Channel 4’s The Perfect Vagina :
” If you’d told me three months ago that I’d let a plastic surgeon examine my froufrou, that I’d show it to another woman (who wasn’t a doctor) and then allow an artist to take a cast of my Mary, I’d have laughed you out of the house. But it’s extraordinary how documentary-making changes your mind about even the most concrete of things (I’m not saying my fanny is concrete – that would just be weird).
When Channel 4 approached me to make this documentary, entitled The Perfect Vagina, to investigate why vaginal plastic surgery is the fastest-growing cosmetic procedure in this country, my reaction was sceptical. So the next time I was at my GP’s (about something entirely unrelated – my toddler’s rash, probably), I enquired whether she ever had female patients coming to her expressing concerns about how they looked “downstairs”. Bear in mind I live in rural Wales, not in some metropolis that might house exotic dancers and porn stars.
My GP, the lovely Dr Christmas, amazed me with her response. She told me she has 14, 15 and 16-year-old girls in her surgery, wracked with embarrassment and fear, worried that their genitalia is somehow disfigured or malformed. When she finally persuades them to undress and to let her have a look, they’re virtually always absolutely fine. And this is a phenomenon that’s only really taken hold in the last five years.
That was it. I was on a mission to assure young women that their bits were fine as they were, and not to start chopping them about because they didn’t look like porn models, or because of some ill-informed, insensitive comment by an ignorant boy (or girl). I was on a quest to get my gender to question their insecurities, and see if I could find alternatives to surgery.
The journey I embarked upon was extraordinary. I found myself having an imaginary conversation with my own vagina, in the company of a holistic sex therapist. I discussed whether my clitoral hood was too big with a plastic surgeon. I held the hand of a 22-year-old as she screamed in pain whilst having the stitches taken out of her labia, and I discovered a 19-year-old who had considered re-stitching her own hymen, so desperate was she to appear a virgin on her wedding night. What had started as a something funny had ended up somewhere far more serious.
I have come to the conclusion that we desperately need to talk about these issues, and that the secrecy that surrounds the vagina is the breeding ground for the insecurity that accompanies it. Even saying the word “vagina” was difficult at the start of the process, and now I’m looking for a universally recognised euphemism for it. As Dr Christmas says, every little boy calls his willy his willy. There isn’t a similarly recognisable term for the vulva, because actually the vagina is the passage inside, and the word means “somewhere to sheathe your sword”! Yes, even the word means our sexual organs only exist in relation to a man. How depressing is that?
I don’t want to come out of this as some militant man-hater, in fact I really don’t think men are the problem. It’s consumer society’s use of the perfect image to sell us everything. “If your boobs are perky and big you’ll be happy, if your hair is long and blonde you’ll be cool, if your vulva is small and pink you’ll be attractive.” It’s the ultimate sales pitch – complete bullshit, but as a society, we’ve fallen for it. Stupid us.
The last word has to go to my father, the wise oracle on all things (and a Welsh dairy farmer). “The thing is, Lis,” he said, “if you’ve got a house you want to do up for a prospective buyer, you don’t start by decorating the cellar.”
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#culture #health #sex #sexuality #society
The Perfect Vagina (trailer) - videos.trom.tf
A trade-free video hosting platform for science/technology/nature videos in the English language. You do not have to trade your currency, data, attention, freedom or anything else, in order to use it.videos.trom.tf
About Modern Servitude
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YEAR: 2009 | LENGTH: 1 part (52 minutes) | SOURCE: WEBSITE
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On Modern Servitude is a book and independent documentary film 52 minutes in length; the book (and the DVD contained within) is available for free at select independent distributors in France and Latin America. The text was written in Jamaica in October 2007 and the documentary was completed in Colombia in May 2009. It is available in French, English, Spanish, Romanian, Portuguese, and Italian. The film is composed of imagery appropriated primarily from commercial movies and documentaries.
The central objective of this film is to reveal man’s condition as a modern slave within the context of the totalitarian mercantile system and to show the forms of mystification which mask his servile condition. Its aim is to attack head on the dominant world organization.
In the vast field of battle of the worldwide civil war, language is often employed as a weapon. The true nature of things has been purposefully distorted through the misuse of language; words are assigned to distort meaning, we must call things by their names and rectify the fraud, restore the truth. The so called Liberal Democracy is a myth, the dominant world organization is neither democratic nor liberal. It is paramount that the myth of Liberal Democracy be corrected and replaced with its true representation as a Totalitarian Mercantile System. We must propagate this new appellation with the aim of awakening the people to the reality of their present domination.
Some hope to herein find solutions or readymade answers, a kind of a treatise on “How to make a revolution?” This is not the aim of this film. Its purpose is to offer an accurate critique of the society we must combat. This film is above all a militant tool whose purpose is to inspire the greatest number of people to question themselves and to spread this criticism to where it has had no access. We do not need a guru to instruct us on how to act. The freedom to act must be our defining principle. Those who wish to remain as slaves sit by in anticipation of the coming of the providential man or of a guide, that once followed to the letter will bestow upon them freedom. One has witnessed such works and such men throughout the entire history of the 20th century, who have set out to embody the revolutionary avant-guard and to conduct the proletariat towards freedom from their condition. The nightmarish results speak for themselves.
Moreover, we condem all religions in that they generate the illusions which lure us into accepting our sordid condition and because they lie and speak nonsense about nearly everything. However, we condem in equal measure the stigmatization of any religion in particular. Those who subscribe to the ideas of a Zionist plot or the Islamic peril are but poor fools who mistake radical criticism with hate and disdain. They produce only muck. If some amongst them (any in their ranks) call themselves revolutionaries it is rather in the spirit of the “nationalist revolutions” of the 1930’s and 40’s than in the revolution of liberation to which we aspire. The need for a scapegoat is as old as civilization, and is none but the product of the frustrations of those who seek facile answers to the evil that burdens/afflicts us. Here there can be no ambiguity as to the nature of our battle. We favor the emancipation of all of mankind, without any form of discrimination(exception). All for all is the essence of the revolutionary doctrine platform to which we adhere.
The sources which have inspired my work and my life in general are explicit in the film: Diogène de Sinoppe, Étienne de La Boétie, Karl Marx et Guy Debord. I make no secret of it nor do i pretend to have invented the wheel. AcknowledgeRecognize the merit to make use of them to clarify. Those who find fault with this work in that it be insufficiently revolutionary or exceedingly radical or even pessimistic have only to propose their own vision for the world in which we all live. The more numerous we are in diffusing these ideas the more likely is radical change to emerge.
The economic, social and political crisis has revealed the evident failure of the totalitarian mercantile system. A flank has been exposed. A door has been opened. It is time to seize the advantage, strategically and without fear. We must, however, act quickly. The machinery of power(authorities), aware of the radicalization of dissent, have prepared an incommensurable preventive strike, the likes of which we have not yet seen. The urgency of the moment demands for unity over division, that which binds us is far greater than that which divides us. It is always very comfortable to critisize the organizations, individuals or groups who claimstewardship ownership of the social revolution. In reality however, these criticisms contribute to a generalized paralysis which tends to convince us that nothing is possible. We must not mistake our enemy. We must not to fight the wrong enemy.Xxxxx The traditional in-fighting of the revolutionary camp must give way to unity of action of all our forces. Doubt everything, even doubt.
The text and the film are in the public domain, they can be copied, distributed, and broadcast freely. They are completely free of charge and under no circumstance shall they be sold or commercialized in any way. It would be incoherent, to say the least, to propose selling an object whose objective it is to decry the omnipresence of merchandise the market. The offensive strike struggle against private property, intellectual or other, is our strength asset against the present domination. a force equipped to deal a quick offensive or retaliatory blow.
This film, which is distributed outside all commercial and legal channels, could not exist but for the support of those who organize its broadcast and transmission/projection. It does not belong to us, it belongs to those who wish to cast it into the fire of combat.
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#culture #monetarySystem #money #slavery #society
About Modern Servitude (trailer) - videos.trom.tf
A trade-free video hosting platform for science/technology/nature videos in the English language. You do not have to trade your currency, data, attention, freedom or anything else, in order to use it.videos.trom.tf
We Love Cigarettes
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YEAR: 2006 | LENGTH: 1 part (50 minutes) | SOURCE: BBC
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A love of nicotine unites all peoples across the globe, regardless of colour, wealth or creed. Where religion and politics have failed tobacco has succeeded, but at what cost? For over 50 years people have been knowingly paying for the pleasure of tobacco with their lives, making man’s fatal tryst with the cigarette one of the strangest love affairs ever.
But as smoking bans in the US and Europe abound, what is happening in poorer nations? Their love affair is still in its first flush – one third of the world’s cigarettes are smoked in China alone. And globally the tobacco industry is still worth $430 billion and going strong.
Intrigued by our planet’s obsession with the cigarette, we decided to capture our love affair with nicotine across the world on one single day.
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#culture #health #monetarySystem #money
Merchants of Doubt
Favorite trailer magnet YEAR: 2014 | LENGTH: 1 part (93 minutes) | SOURCE: WIKIPEDIA description: The film traces the use …VideoNeat
The Merchants of Cool
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YEAR: 2001 | LENGTH: 1 part (60 minutes) | SOURCE: PBS
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They spend their days sifting through reams of market research data. They conduct endless surveys and focus groups. They comb the streets, the schools, and the malls, hot on the trail of the “next big thing” that will snare the attention of their prey–a market segment worth an estimated $150 billion a year.
They are the merchants of cool: creators and sellers of popular culture who have made teenagers the hottest consumer demographic in America. But are they simply reflecting teen desires or have they begun to manufacture those desires in a bid to secure this lucrative market? And have they gone too far in their attempts to reach the hearts–and wallets–of America’s youth?
FRONTLINE correspondent Douglas Rushkoff examines the tactics, techniques, and cultural ramifications of these marketing moguls in “The Merchants of Cool.” Produced by Barak Goodman and Rachel Dretzin, the program talks with top marketers, media executives and cultural/media critics, and explores the symbiotic relationship between the media and today’s teens, as each looks to the other for their identity.
Teenagers are the hottest consumer demographic in America. At 33 million strong, they comprise the largest generation of teens America has ever seen–larger, even, than the much-ballyhooed Baby Boom generation. Last year, America’s teens spent $100 billion, while influencing their parents’ spending to the tune of another $50 billion.
But marketing to teens isn’t as easy as it sounds. Marketers have to find a way to seem real: true to the lives and attitudes of teenagers; in short, to become cool themselves. To that end, they search out the next cool thing and have adopted an almost anthropological approach to studying teens and analyzing their every move as if they were animals in the wild.
Take MTV. Long considered to be the arbiter of teen cool, the late 1990s saw MTV’s ratings on the wane. To counter the slide, MTV embarked on a major teen research campaign, the hallmark of which was its “ethnography study”– visiting teens’ homes to view first hand their lives, interests and ask some quite personal questions.
But what lessons do MTV and other companies draw from this exhaustive and expensive study of teenagers’ lives? Does it result in a more nuanced portrait of the American teen? In “The Merchants of Cool,” FRONTLINE introduces viewers to the “mook” and the “midriff” — the stock characters that MTV and others have resorted to in order to hook the teen consumer.
The “midriff”–the character pitched at teenage girls, is the highly-sexualized, world-weary sophisticate that increasingly populates television shows such as Dawson’s Creek and films such as Cruel Intentions. Even more appealing to marketers is the “midriff’s” male counterpart, the “mook.” Characterized mainly by his infantile, boorish behavior, the “mook” is a perpetual adolescent: crude, misogynistic–and very, very, angry.
But also very lucrative. To appeal to the “mook,” MTV has created programs such as Spring Break — a televised version of teen beach debauchery–as well as a weekly program capitalizing on the current wrestling craze.
“What this system does is it closely studies the young, keeps them under constant surveillance to figure out what will push their buttons,” says media critic Mark Crispin Miller. “And it blares it back at them relentlessly and everywhere.”
Of course, there is resistance to the commercial machine. FRONTLINE takes viewers to downtown Detroit, where media analyst Rushkoff speaks with teens at a concert by the Detroit-based Insane Clown Posse, purveyors of a genre of music that’s become known as “rage rock.” When asked to describe what appeals to them about such music, the teens invariably respond that it belongs to them; it hasn’t yet been taken and sold back to them at the mall. Full of profanity, violence, and misogyny, rage rock is literally a challenge thrown up to marketers: just try to market this!
But marketers have accepted the challenge: rage rock is now big business. Not only has Insane Clown Posse become mainstream, but much bigger acts like Eminem and Limp Bizkit are breaking sales records and winning industry accolades in the form of Grammy nominations and other mainstream music awards.
In “The Merchants of Cool,” correspondent Rushkoff details how MTV and other huge commercial outlets orchestrated the rise of Limp Bizkit–despite the group’s objectionable lyrics–and then relentlessly promoted them on-air.
But in doing so, critics ask, is MTV truly reflecting the desires of today’s teenagers, or are they stoking a cultural infatuation with music and imagery that glorifies violence and sex as well as antisocial behavior and attitudes?
In today’s media-saturated environment, such questions, it seems, are becoming increasingly difficult to answer.
“It’s one enclosed feedback loop,” Rushkoff says. “Kids’ culture and media culture are now one and the same, and it becomes impossible to tell which came first–the anger or the marketing of the anger.”
Therein lies the danger of today’s teen-driven economy, observers say: As everyone from record promoters to TV executives to movie producers besieges today’s teens with pseudo-authentic marketing pitches, teenagers increasingly look to the media to provide them with a ready-made identity predicated on today’s version of what’s cool. Rather than empowering youngsters, the incessant focus on their wants and desires leaves them adrift in a sea of conflicting marketing messages.
“Kids feel frustrated and lonely today because they are encouraged to feel that way,” Miller tells FRONTLINE. “You know, advertising has always sold anxiety and it certainly sells anxiety to the young. It’s always telling them that they are not thin enough, they’re not pretty enough, they don’t have the right friends, or they have no friends…they’re losers unless they’re cool. But I don’t think anybody, deep down, really feels cool enough, ever.”
And as more and more teens look to the media to define what they should think and how they should behave, even some cool hunters are no longer sure that their work isn’t having a negative impact.
“Even though I work at MTV…I am starting to see the world more like someone who’s approaching forty than someone who’s twenty,” says Brian Graden, the channel’s president of programming. “And I can’t help but be worried that we are throwing so much at young adults so fast. And that there is no amount of preparation or education or even love that you could give a child to be ready.”
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#culture #monetarySystem #society
The Merchants of Cool (trailer) - videos.trom.tf
A trade-free video hosting platform for science/technology/nature videos in the English language. You do not have to trade your currency, data, attention, freedom or anything else, in order to use it.videos.trom.tf